The Daily Telegraph today briefly had a headline about Theresa May’s “outrage” about the “suspected” chemical attack in Syria.
The headline was altered quite quickly to lose the word “outrage”. Notice however that the url for the story still refers to May being “deeply disturbed”. The article includes the sentence:
“The Government has stressed the importance of the attack being investigated to determine who is culpable.”
It looks like the government and their stooges in the media are realising that claiming to be “outraged” before an attack of some kind has moved from the claim stage to the “no other explanation is plausible stage” (a new concept which, it seems, means – we have decided that they – usually Russia – did it, but, no, we can’t prove it) is dubious. How can you be outraged about a claim, about a suspected attack? You can’t be. The normal sequence is – you wait until it is confirmed and, when it is, then you feel outraged. That they seem willing to produce the outrage on the basis of “suspected”, “alleged” or even “very likely” shows us that the outrage is synthetic. They aren’t really outraged at all. In fact they couldn’t care less about whether brown-skinned people in Syria are being gassed. It’s just a convenient lever in a game of narratives. (Syria = bad regime = human rights abuser === same with Russia => contrast with us = noble, law-abiding, civilised, humane => therefore anything we do – such as illegally invade Syria is fine). A game, which, amusingly, is being played more and more solely for their own benefit. – That is – who but themselves believes their narratives any more?
We can see the same narrative on Skripal. If it is only “very likely” that Russia did it – how can you feel such horror?
That this article had its headline fixed shows that the government narrative writers (aka. “journalists”) are aware of this flaw in their narratives and are working to fix it. They are, basically, working on the choreography of these denunciations and continuously improving it.